The basement reeks of sandalwood candles tonight, that cloying sweetness fighting against spilled whiskey and the sharp bite of Della's kimchi fried rice sizzling in the kitchen. Miguel slides a glass of something amber and dangerous across the bar toward me—Old Forester this time, the cheap shit that burns just right, coating my throat with liquid fire and bad decisions. The new pool table sits pristine in the corner while Brandon and Marcus argue about whether the old one's rightward lean was a feature or a bug.
"Mom," Ezra calls from their beanbag throne, blue hair catching the string lights like some discount store aurora borealis. "Sage needs you."
I turn to find Sage hunched over the bar, their latest napkin creation spreading across the wood grain—intricate patterns of bodies intertwining, but some figures standing apart, outlined in negative space. The Who's "Behind Blue Eyes" bleeds through the speakers, Roger Daltrey singing about being misunderstood while Sage's pencil scratches desperate truths into paper.
I move closer, settle onto the barstool beside them. "Talk to Mama, dear."
Sage's pencil stops moving. They stare at their artwork for a long moment before the words finally come, voice cracking like ice in warm whiskey. "The fuck's wrong with wanting love without wanting to fuck?"
The question hangs there, raw and bleeding.
"Every goddamn Pride event, every queer space—it's all about sexual liberation, reclaiming our bodies, fucking who we want." Their hands start shaking. "But what if you don't want? What if that's not your revolution?"
The bar goes quiet except for Della's aggressive spatula work.
"I went to that meetup last week," Sage continues, their pencil now stabbing at the napkin. "The LGBTQIA+ social. Thought maybe—" They laugh, bitter as burnt coffee. "First question someone asked me: 'So who are you fucking?' When I said no one, they asked if I was broken. If I'd been abused. Like the only reason someone wouldn't want sex is trauma."
Keira catches the eyes of Miguel from across the room, then subtly tilts her head toward the kitchen. She moves first, casual as hell, tapping Remy's shoulder as she passes. I watch her move as the others do the same—Miguel behind the bar, Della from her station, Bubba from his corner, Grubby from the shadows.
"That's bullshit," Marcus says, wedding ring catching light as he gestures. "Being ace is just as valid—"
"Don't," Sage cuts him off. "Don't give me the party line. I know it's valid. I know I'm supposedly included in the acronym. But knowing and feeling are different beasts, aren't they?"
I take another sip of Old Forester, let it burn away the easy platitudes trying to escape my mouth.
In the kitchen, Keira's voice carries just barely: "Thirty-five each. Dani found the signed Grahame. First edition, pristine condition. We pick it up Thursday." Wallets appear, bills change hands, Miguel stuffing the cash into an envelope marked with nothing but a small rainbow heart.
"You know what's fucked?" Sage continues, their hands now shaking slightly. "I love this community. Love the fight, the resistance, the way we've carved out space in a world that wants us dead. But sometimes it feels like I'm watching through glass. Like I'm queer enough to be here but not queer enough to belong."
"Honey," Brandon starts, but Sage waves him off.
"The amount of times I've been told I just haven't met the right person yet. Like my orientation is just a fucking placeholder until real attraction shows up. Even here, even in spaces that should know better."
Grubby emerges from the kitchen, moving to sit near Sage with that careful way they have, like they're always afraid of taking up too much space. "The absent thing," they say quietly, "sometimes it defines you more than the present things."
Della returns to her station, Bubba to his corner, the money collected and hidden before anyone else notices. Quietly no one notices.
"I draw these patterns," Sage gestures at their napkin art, "because it's the only way I can explain it. Look—" They point to the negative space figures. "We're still part of the picture. We create the shape of everything else by our absence. Without the void, there's no definition."
"Mais, that's some philosophical shit right there," Remy says, returned from the kitchen conspiracy. "Like my grand-mère used to say, 'Not every garden needs roses. Sometimes the space between plants matters more than the plants themselves.'"
"But try explaining that at a fucking Pride parade," Sage mutters.
Phoenix shifts on the damaged couch, purple hair catching shadows. "I get it. Different but—I get it. Before River and I got together, people kept asking if I was really queer if I wasn't actively fucking someone. Like queerness expires without regular sexual validation."
"It's the hypersexualization," Leila says, arms crossed in her truth-telling stance. "We fought so hard for sexual freedom that we forgot some of us are fighting for the freedom to not be sexual at all."
"The straights do it too though," Bubba rumbles. "Spent forty years in the South getting asked when I was gonna find a good man, settle down. Like my worth was measured in romantic coupling. But at least they didn't tell me I was betraying the cause by not wanting it."
"That's the motherfucker of it," I finally say, setting down my empty glass. "We build these spaces to escape the boxes they put us in, then we build new boxes. Smaller maybe, rainbow-painted, but still fucking boxes."
Miguel pours me another without asking—Maker's Mark this time, sweeter burn for a harder truth. "The community's not perfect," he says. "We're all just damaged people trying to figure out how to be less damaged together."
"But some damage is more visible than others," Sage says. "Some of us can perform queerness in ways that read as legitimate. When your queerness is defined by absence rather than presence, you become invisible even in spaces meant for visibility."
Sarah looks up from her Camus, surprising everyone. "The existentialists would say you're the most authentic of all of us. Choosing nothing in a world that demands something—that's the ultimate rebellion."
"Fuck your existentialism," Sage snaps, then immediately softens. "Sorry. I just—I'm tired of having to be a philosophical concept instead of a person."
The room sits with that, The Chain by Stevie Nicks now crooning about changes through the speakers while we all marinate in the weight of Sage's truth.
"You know what?" Della calls from the kitchen, kimchi fried rice abandoned for the moment. "Anyone who tells you you're not queer enough can eat shit and die. You're here. You're family. End of fucking discussion."
"But it's not end of discussion," Sage insists. "Because tomorrow I'll go to another event and have to explain again why I don't want to fuck anyone. Have to defend my existence in spaces that claim to be for everyone."
"Then we make better spaces," Keira says simply. "Starting here. Starting with us calling out the bullshit when we see it."
River, still in scrubs that smell of other people's emergencies, nods. "In medicine, we have this concept—diagnosis by exclusion. Sometimes what you are is defined by what you're not. Doesn't make the diagnosis less real."
"I just—" Sage's voice breaks completely now. "I want to belong somewhere without having to constantly justify my belonging."
I stand, move around the bar, pull Sage into the kind of hug that says everything words can't. They smell like ink and isolation, like someone who's been holding their breath for years.
"You belong here," I say into their hair. "Not because you're ace, not despite being ace, but because you're Sage. Because you show up. Because you create beautiful things from nothing. Because you're family, and family doesn't require fucking documentation."
"But the community—"
"Fuck the community," Ezra interjects. "Not literally, obviously. But fuck any definition of queerness that doesn't include you. You're not obligated to make yourself smaller to fit into spaces that claim to be infinite."
"The absence of desire is still desire," Dani offers, crystals clicking as she shifts. "Desire for autonomy. Desire for recognition. Desire to exist without justification."
"Y'all are gonna make me cry," Sage mutters into my shoulder.
"Good," Grubby says softly. "Tears are just honesty that won't fit in words."
I release Sage, watch them return to their napkin. This time, they draw a figure standing alone but whole, surrounded by space that doesn't diminish them but defines them.
"You know what we need?" Brandon announces. "A new Pride flag. One that's just blank space. For all the people whose identity is in the absence."
"That's actually not terrible," Marcus admits.
"Still sounds like bullshit philosophy to me," Chris mutters, his Christian guilt wrestling with understanding.
"Then maybe," Sage says quietly, "the problem is thinking everything needs to be understood. Maybe some of us just are, and that's enough."
The bar settles into that truth, twenty-three people recalibrating their understanding of what it means to belong. The Who gives way to T. Rex's "Cosmic Dancer," Marc Bolan asking if we danced when we were young while Sage draws patterns that explain everything and nothing.
Miguel pours shots of something clear and vicious—vodka that tastes like rubbing alcohol and bad decisions. "To the spaces between," he toasts.
"To the absent revolutionaries," Della adds.
"To not fucking when everyone expects you to fuck," Leila states plainly.
We drink, and it burns, and Sage almost smiles, and maybe that's enough. Maybe that's everything.
Later, as the night winds down and people start their stumbling exits, Sage leaves their napkin on the bar. It shows a constellation where the dark spaces between stars spell out "I AM ENOUGH."
I pocket it, knowing I'll frame it, knowing it'll hang behind the bar as a reminder that sometimes the most radical act is simply not acting at all.
"The minority is sometimes right; the majority always wrong." - George Bernard Shaw
In a world that measures worth by action and desire by consumption, the ace souls who refuse both become prophets of a different revolution—one where existence needs no justification beyond itself, where the space you don't fill defines you more truthfully than any space you could.
Boxes drive me nuts. As soon as I leave one, someone tries to put me in the other. Is there a box for a cuddly farm girl who loves women, but isn’t sure if she loves much else? 😐
So it’s ok now —. To use the word “queer” again? It brings up a funny story. Ya know, 50-60 years ago (ok, 60), I was a kid. My grandmother’s world used the word “Queer” to mean “weird.” Grandmother taught me a little saying, “Everyone’s queer but me and thee, and even THEE’s a little queer!”
😮😣🤣. So funny! I miss her!